In her film ‘Beth’s Three O’Clock with Dr. Harlow’ Emma Penaz Eisner references psychologist Harry Harlow's 1950's monkey experiments, the clinical interview with psychopathic child patient Beth in the documentary ‘Child of Rage’ from 1990, Philip K. Dick’s ‘Do Androids Dream of Electric Sheep?,’ and Ingmar Bergman's explorations of sadistic deity in ‘Through a Glass Darkly’.
She describes the works as a “vivid study of casual brutality and failed empathy,” and beautifully presents all of this in two minutes of stop motion animation with live action sequences. ‘Beth’s Three O’Clock with Dr. Harlow’ is just one of the films I discussed with San Francisco filmmaker and visual artist Emma Penaz Eisner, and one that you can view online here. In the interview Emma also discusses her love for the work of Jan Švankmajer, the importance of meeting with like minded people, her passion for sharing and discussing her work and how she represents dream scapes and dream logic through animation.
Stills from I Am He Who Created Himself, There's More Than One Way to Skin a Man, Beth's three o'clock with Dr. Harlow and Will I Scatter Away?
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Experimental film and installation artist Jason Moyes lives and works in rural Scotland and has been exploring the moving image since 2007. His work has been shown in the UK, North America, Europe and Asia. He is a founding member of the Moving Image Makers Collective and presents the experimental film podcast Into the Mothlight.
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