For Episode 15 we talked to Canadian filmmaker Stephen Broomer who was in Scotland to attend the Alchemy Film and Moving Image Festival. He was one of the main speakers at the filmmakers symposium at the festival, delivering a session entitled 'Mindstrips: The Found Image as a Psychic Analogue. As part of his talk he shared his perceived heritage of film footage to the present day, one of the subjects we talked about in the interview you can hear on the player below. In his talk he mentioned works from filmmakers such as Joseph Cornell, Stan Brakhage, Barbara Hammer and Martin Arnold among others.
This list includes some of the specific works he references in our podcast interview.
Rose Hobart -Joseph Cornell (1936)
Lambeth Walk - Nazi Style - Charles A. Ridley (1941)
Tom, Tom, the Piper's Son - Ken Jacobs (1969)
Berlin Horse - Malcolm Le Grice (1970)
The Hart of London - Jack Chambers (1970)
Variations on a cellophane wrapper - David Rimmer (1972)
Stephen also presented the UK premier of his 2018 work Tondal's Vision at Alchemy. We began our chat with this where Stephen shared background on the original source material for this work and the creative and chemical processes he uses. You can see the trailer below and read more about the inception of Tondal's Vision on Stephen's blog here. To round up our chat I asked Stephen about his recent work Fountains of Paris (2018), a work created from the Jacques Madvo Collection incorporating images of the city at work, its landmarks and architecture and medieval illustrations in stained glass.
Experimental film and installation artist Jason Moyes lives and works in rural Scotland and has been exploring the moving image since 2007. His work has been shown in the UK, North America, Europe and Asia. He is a founding member of the Moving Image Makers Collective and presents the experimental film podcast Into the Mothlight.